PDF Download From Assassins to West Side Story: The Director's Guide to Musical Theatre
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From Assassins to West Side Story: The Director's Guide to Musical Theatre
PDF Download From Assassins to West Side Story: The Director's Guide to Musical Theatre
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Amazon.com Review
From Assassins to West Side Story is that rare theater textbook that is so articulate, insightful, and downright playful that it can be read simply for pleasure. If you're planning to direct one of these 16 shows, though, you'll have a far richer production for having employed its points. Scott Miller shows an uncommon, detailed understanding of the emotional machinery of these shows. He explores the use of the dies irae theme throughout Sweeney Todd; points out how the title character in Pippin becomes extraordinary only when he resolves to be ordinary; proposes unceasing motion as a staging concept and a theme in Les Miserables; suggests techniques to best let an audience grasp that time flows backward in Merrily We Roll Along; and ponders the nature of reality and unreality at the core of Man of La Mancha. Keep those cast albums ready, because you'll definitely be putting them on.
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From Library Journal
The subtitle "director's guide" is somewhat misleading and could do this fine book a significant disservice. Although it will certainly assist directors in planning productions with greater depth and impact, it should also attract a much broader audience?actors, production staff, teachers, theater enthusiasts, and the like. Director, composer, and lyricist Miller offers a creative look at 16 musical icons, including Cabaret, Into the Woods, Les Miserables, Sweeny Todd, Gypsy, Carousel, and more. The result is not just a series of plot rehashes with production credits, though. Miller truly examines each show's contribution to the theatrical experience by providing character analyses, historical commentary, approaches to production, and thoughts on interpreting symbolism, themes, and musical textures. He aims at the heart of each work and reaches it with artistic insight. Those who participate in the theater at any level as well as those with an avid interest in the subject will discover some fresh ideas here. For circulating libraries with large collections in the performing arts.?Carol J. Binkowski, Bloomfield, N.J.Copyright 1996 Reed Business Information, Inc.
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Product details
Paperback: 242 pages
Publisher: Heinemann Drama (May 20, 1996)
Language: English
ISBN-10: 0435086995
ISBN-13: 978-0435086992
Product Dimensions:
9 x 0.6 x 9 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#322,414 in Books (See Top 100 in Books)
Well-written book in a pseudo-series by the author. Definitely author's personal opinion. I'm surprised some aren't listed. A good read, I learned more about Musical Theater, which is always important to me.The other books on musicals by the author are good as well.
Great for lovers of musical theatre
I'm a major fan of Scott Miller's books, and this one is no exception. It is readable, well thought out, and filled with perceptive analysis of 16 classic musicals. His fresh insights frequently open my eyes to key aspects of shows I have known for years. Or at least I thought I knew them! If more directors took Miller's ideas to heart, it would prevent countless run-of-the-mill productions from boring theater goers year after year. I'll admit that Miller's attitude towards Sondheim's works borders on adoration (for example, I don't believe ASSASSINS was nearly as important as he makes it sound), but that is hardly a vice. If you love musical theater, you owe it to yourself to spend some time with this book. If you stage musicals, you owe it to your casts and customers to read anything and everything this man has written on the subject. (I especially recommend his equally fascinating DECONSTRUCTING HAROLD HILL.)
As a bi-continental director (London, New York, and Los Angeles), I was delighted to find that Miller doesn't have an American prejudice in his work -- in fact he highly respects the work non-American directors have done on American classics and that's quite refreshing. His books (this one and "Deconstructing Harold Hill") are the best examples I've seen of serious considerations of important, interesting musical theatre, yet with a sense of fun and joy, and with a devilish penchant for denying conventional wisdom when it doesn't make sense. In fact, he makes cases (in both books) for changing the conventional wisdom on a number of American classics. These terrific books are must-reads for both the theatre professional and the rabid fan as well -- both are inestimable treasures.
The author has written a book which takes an in-depth look at specific musicals, providing the reader with character and plot analyses that are not usually found in the libretto or other sources. And while I do not agree with all of his ideas or conclusions (comparing Weimar, Germany to 1990's America, for example), nor do I think it was necessary to color his otherwise neutral studies of most of the musicals with his obvious liberal political tendencies in others, overall he has provided information that can enrich the musical theater experience. Not being a Director, I cannot be sure how helpful the book is in that idiom, but it would certainly be of use to the actors performing in the shows discussed, especially in gaining a better understanding of characters, plot, and themes.
This is one of the most humorous, honest and delightful books about theatre out there. Whether you want to learn about theatre or you know it all....... this book is for you!
Scott Miller's book is one of the finest of the recent works of criticism I have seen on American musical theatre. Rather than a cursory history of the genre, Mr. Miller has opted to analyse several major works, bringing insights that will be useful to professionals and add to the understanding of theatre-goers.
Mr. Miller has written a very insightful book that can be enjoyed by both theater fans and professionals. He lays out the structures of the shows he discusses, and provides insightful commentary on the themes of the shows, and how the songs develop those themes. It's a must read for anyone interested in the musical theater.
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